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INDEX Aeschylus, n , 72; Choephoroi, 32, 59, 113; Eumenides, 22811; Oresteia , 12811, 132, 133, 134, 229 Affirmative Way, 157-62, 167-70, 172, 178, 180, 208, 220. See also Negative Way Andrewes, Lancelot, 15 Anglo-Catholicism, 14, 15, 24-25, 78, 159. See also Church of England anthropology, 41-42. See also Cambridge School of Classical Anthropology Aristophanes, 44, 58, 72 Aristotle, 44, 47-49, 53; De Anima, lion; De Geneiatione et Corruptione , 11on Arrowsmith, William, i76n, 207n Athenian drama, 35. See also Greek drama Auden, W. H., Dance of Death, gon Babbitt, Irving, 5, 17-18 Barber, C. L., 27-28, 77n, ii3n, i47n, i52n, i55n, 209a Battenhouse, Roy, i36n Baudelaire, 16, 17 Beaufort, John, i85n Bennett, Arnold, 5m Bergson, Henri, 5, i36n; duree, 6n Bethell, S. L., Shakespeare & the Popular Dramatic Tradition, 150-56 Blackmur, R. P., 77n, 96n Bodkin, Maud, i33n Bradley, F. H., 5, 6n Bramhall, John, 15 Brecht, Berthold, 9on n2473 Browne, E. Martin, 52n, 76, 84, 101, 102, ii5n, i28n, i47n, i49n, i63n, i84n, 228 Buddha, 123, 173 Cambridge School of Classical Anthropology , 43, 62. See also Cornford, Francis M.; Harrison , Jane Ellen; Murray, Gilbert ; ritual drama Chaplin, Charlie, 48 Chesterton, G. K., 22n chorus, 13, 24, 72, 84, 85, 86-88, 89, 92, 100, 101, 103, 106, 109, 110-11, 116, 119, 125, 145-46, i52n, 216 Christian neo-Platonism, 193 Christie, Agatha, 148 Church of England, 14, 78. See also Anglo-Catholicism classicism, 6n, 8, 14, 15 Cornford, Francis M., 43, 44-46, 47, 58, 62-72, 104, 106, iogn, 138-39, 145. See also Cambridge School of Classical Anthropology ; ritual drama Criterion, The, 32, 51, 78, 81 Dante, 14, 30, 156, 160-61; Inferno , 109 Dawson, Christopher, 83; The Maying of Europe, 22a, 82 Dionysius the Areopagite, 157 Donoghue, Denis, ii2n, 1480, i55n, i87n Dostoevski, Crime and Punishment , 132, 226n Eliot, Charlotte, Savonarola, 51 ELIOT, T. S., After Strange Gods, 22-24; "Andrew Marvell," 56; INDEX ELIOT, T . S. (continued) "Ash Wednesday," 195; "Baudelaire in Our Time," 16; 'The Beating of a Drum," 47, 6511; "Catholicism and International Order," 79; The Cocail Party, 26, 27, 64n, 66, 13m, 139, 146, 147-83, 186, i87n, 191, 194, 195, 208, 210, 2i2n, 216, 232; The Confidential Cler\\, 26, 27, 64n, i39» 183, 184-213, 216, 220, 232, 234, 235n; "Dans le Restaurant," 124; "Eeldrop and Appleplex," 123, 226n; The Elder Statesman, 26, 27, 66, i28n, 139, 195, 213, 214-39; The Family Reunion, iy, 26, 27, 66, h i , 112-46, 147, 148-50, i52n, i58n, 182, 195, 197, 210, 211, 2i5n, 216, 218, 226n, 228, 229, 234; "Five Points on Dramatic Writing," 53n; For Lancelot Andrewes, 13, 15-18; "Four Elizabethan Dramatists," 10; Four Quartets, i58n ("Burnt Norton," 136, 195; "The Dry Salvages," I29n, 22m; "East Coker," 66, 22m; "Little Gidding ," I58n); "The Function of Criticism," 7-10; "Gerontion ," 180; "The Humanism of Irving Babbitt," 17; The Idea of a Christian Society, 22, 27n, 20m; "John Bramhall," 15; "Lancelot Andrewes," 15; "The Love Song of J. Alfred Prufrock ," 124; "Modern Education and the Classics," 78; Murder in the Cathedral, 17, 24-25, 26, 33, 46n, 76, 77, 80-81, 83, 85, 87, 89, 91-111, 112, 113, 115, 116, 117, 119, 147, i49n, 15m, I58n, 234; "The Music of Poetry," i82n-i83n; "Niccolo Machiavelli," 15; "Notes on the Way," 91; Notes towards the Definition of Culture, 28, 20m; On Poetry and Poets, 27, 28; "The 'Pensees' of Pascal," 19; "Poetry and Drama," 29, 103, i33n > 176, 181-83, 234-35; "The Possibility of a Poetic Drama," 35, 46; "Religion and Literature ," 20; The Roc\\, 24, 76, 77, 78, 83, 84-91, 103, no, i n , 115; The Sacred Wood, 5, 14; "Second Thoughts about Humanism ," 79; "The Social Function of Poetry," 28; Sweeney Agonistes , 12-13, 24, 26, 32-75, 76, 79, 83, 86, 100, 101, 104, no, h i , 112, 113, 114, 115, 118, " 9 , i39» r 42, 149. 22m, 234; "Sweeney Erect," 6on; "The Three Voices of Poetry," 236; "Tradition and the Individual Talent," 6, 8, 22; The Use of Poetry and the Use of Criticism , 20, 24, 33n; "Virgil and the Christian World," 200; The Waste Land, 33n, 41, 5m, 60, 66, 67n, 72, 10

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