摘要：

The article profiles the So Percussion ensemble, whose "Neither Anvil nor Pulley" performance at the Metropolitan Museum of Art in June 2013 was composed by composer Dan Trueman. Josh Quillen of the quartet says that they are used to playing with drums and tin cans and relates the new instruments introduced by Trueman for the performance. It cites several equipment used for the performance including a PreSonus FireBox, a laptop, and a woodblock.

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